However, as great as this is you should be aware that at many times it feels like a bit of a retread of the previous game, almost to the point where it feels like a remake. It can be tense, exciting, terrifying, thrilling, disgusting, and powerful, but never boring. There are even a few boss encounters, and with all of them it’s never about just shooting – thinking is the key.
Or just sitting in a populated outpost listening to all the various conversations. Hunting gigantic light-averse spiders with a flashlight and a lighter.
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Trudging through a foggy swamp in a cracked gas mask while avoiding the monsters looming out of the mist. Exploring the catacombs of an ancient haunted church with a malfunctioning flashlight. A small selection of gameplay moments then? Creeping through an outpost being burned to the ground by Communists. It’s impossible to guarantee what you’ll be doing next, and it’s this wild and ever-changing level design in the vein of Valve’s Half-Life titles that keeps both Metro games fun – and Last Light greatly improves on 2033. You’re never in one place doing one thing for any great period of time, so you never get complacent. What starts as a simple man-thing-hunt spirals into invasions, chemical attacks, conspiracies, betrayals, war, sex, and violence. The strength of 2033 was in keeping the player on his toes with a wide variety of gameplay, locations and occurrences, and Last Light continues this trend. What follows is a rollercoaster in a similar vein to the original game’s Half-Life-inspired ride. Why 4A Games saw fit to split the opening into two I don’t know, but it’s important.
I hate Underground Nazisįirst a bit of advice: if you haven’t played 2033 in a while (or at all) make sure to watch the pre-menu opening cutscene, which directly continues into Last Light’s post-menu opening. Artyom is ordered to finish what he started and eliminate the creature at all costs. Now several months later Artyom is a Spartan Ranger, an elite soldier of the “normal” Metro survivors, but word has reached him via his mysterious friend Khan that a single Dark One still lives. In the “bad” ending of 2033, which Last Light continues, player character Artyom launched a number of missiles at the nest of the Dark Ones, wiping them out. In to this seething pot came the Dark Ones, alien-like creatures with strong psychic powers who seemed to be out to destroy the last remnants of humanity (or maybe not). Any people venturing up to the surface better bring a gas mask, radiation suit and a gun, as horrible mutated abominations roam the still heavily irradiated landscape. Set in Moscow after the world has been left devastated by nuclear war, the survivors of the apocalypse now live in the Metro tunnels under the Russian capital, dividing off into factions including such terrible throwbacks like the Nazis and Communists. Last Light continues from where Metro 2033 left off. Now developer 4A Games is having another go with Metro: Last Light, and they’ve polished their formula to a shine. With a bit of tweaking Metro 2033 could have been considered an out-and-out classic, even a game of the year contender, instead of a flawed gem. Which was sad, since the story was well told, the world was interesting, the levels kept on surprising, and the heavy influence of Half-Life on the title shone through. The guns were unsatisfying, stealth just didn’t work, checkpoints were all over the place, and there was one escort mission with exploding green blobs that nearly had me chucking my PC out the window in rage and frustration (it is the pinnacle of terrible escort missions).
Metro 2033 I personally considered my best FPS of 2010 but it was not without its flaws, which many gamers wouldn’t be able to see past.
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